Jo-anne: You travel a great deal. Where do you live now?
Koi: I currently reside in New York, but the future is mysterious. Perhaps, I will call my next home: Mars.
Jo-anne: You are a very talented photographer, but also art director, writer, and scientist. Can you tell us a little bit more about the relationship between these different fields?
Koi: Thank you—I am humbled and very much appreciate the kind words! There are infinite enigmas in science that are waiting to be deciphered, so I just think of myself as a little student in this massive universe, perpetually wide-eyed and curious, as there is always something new to learn or a skill to cultivate.
On first impression, art, writing, photography, medicine, and science may appear to be completely unrelated fields that do not intermingle. However, these realms can be colourful threads that weave together to form a vivid web.
At the lab, I work with imaging technology to photograph immunohistochemistry slides containing various tissues that I prepared, stained, and mounted. Under the microscope, cells can be seen fluorescing in beautiful hues of red, brown, green, and blue, depending on the specific reagent exposures and chemical reactions at the genetic or molecular level. These experiments are executed in order to investigate behaviours, relationships, and peculiarities between different types of cells. Currently, I study cancer with the aim to establish cancer genetic profiles, discover tumour markers for early detection analysis, and develop chemo-preventive or therapeutic treatments that target tumour-specific pathways, with the main goal: to ameliorate cancer.
Experimental design shares characteristics of art directing as well—one must direct a team of scientists to conduct experiments or studies aimed at a proposed idea or objective. Science presentations, conference posters, and publications require art design and proficient writing in order to illustrate discoveries, showcase data, and convey hypotheses to the community.
Medicine is one of the most dynamic and complex fields. It begins with: a thirst to devise how and why, honest concern, and genuine compassion. The best physician interlaces scientific theory, empirical evidence, and the art of humanity. Every human is unique and requires individualised attention—not every condition must be treated in the same manner. Thus, eclectic creativity and artful critical thinking are essential in order to provide the best care for each person. Medicine is an art.
Jo-anne: What does art mean to you?
Koi: Art is the language of the universe. It is a dynamic entity that manifests in copious forms.
Jo-anne: When did you first get in touch with photography?
Koi: My passion in photography was born when I was four years old and I was playing with my parents’ old Ricoh and Konica cameras. I became mesmerised by the mechanisation of the camera and curiously dissected it, unmasking its anatomy. I discovered how light travelled through lenses, reflected off mirrors, and exposed part of the light-sensitive emulsion. Thus, I learned the elements of photography like aperture, shutter speed, and ASA (ISO) through the most classic way—film.
Jo-anne: There seems to be an underlying simplicity and calmness in your photographic work. Where does this very particular vision stem from?
Koi: New York City is frequently characterised as the ‘city that never sleeps’ and sometimes labelled as a centre of chaos. However, take a deep breath, ground yourself, and feel the rhythm of the city. The way the vines overturn a deserted brick building in Brooklyn; the way the fog lingers, gracing rooftops with a beguiling stillness; the way relentless sunlight slices through the scaffolding, casting obsidian shadows with cryptic riddles; and the way the car horns beep or footsteps pitter-patter on the cobblestone streets—there is beauty in the seemingly mundane.
Jo-anne: Food and medicine are recurring themes in your photographs. Can you tell us more about this aspect of your work?
Koi: I was four years old when I started baking and cooking on my own, as my parents were never present at home, and food became one of my first subjects in photography. I fancied experimenting in the kitchen while documenting each concoction throughout the years. As an aspiring surgeon/physician, I believe that what we ingest is a vital component of our health outcome, so I often make time to hand-make my meals and other fare from scratch.
Jo-anne: What role do interior design and fashion play in your work and life?
Koi: The interior design of my studio is extremely minimal and monochromatic, punctuated with white brick and dark wood accents. The open space keeps my mind clear and focused. Regarding fashion, a large portion of my wardrobe is vintage military-inspired or NASA themed. My daily uniform typically consists of a button-down shirt with a bowtie and double-breasted coat or flight bomber with vintage patches, topped off with a wide-brimmed hat or an old-fashioned newsboy cap.
Jo-anne: What photographic equipment do you usually travel with?
Koi: I generally travel extremely light, so my companion is usually just my DSLR with a couple of lenses—nothing too fancy. On slower adventures, I will also bring along my old film cameras and several rolls of film. The chief aspect of photography is one's unique composition and story, not one's apparatus.
Jo-anne: What is one striking memory from one of your photography trips?
Koi: I have an intense affinity for astronomy and geospace science—my secret love-affair, so photographing the Aurora Borealis (Northern Lights) in Iceland for the first time is a breath-taking memory.
Jo-anne: What is New York like to work and live in as an urban creative?
Koi: New York is bursting with inspiration. Perhaps I am a bit odd, but I see life and soul in every nook and cranny. From the grit in the Metro to the weathering alleyways, I am endlessly inspired by the diverse history and I strive to unearth the hidden magic within the streets.