Little 1.5m me and my 13cm platform boots hiked across a mysterious post-apocalyptic planet through endless kilometres of rocks and black sand, and stumbled upon a mysterious plane wreckage peeking through thick fog. I stood on top of a mountain amongst the clouds, breathless, revelling in its mystifying allure. I am finally here—the land of fire and ice, Iceland.
Iceland is a magical place that I have dreamed of visiting ever since I was a child, thumbing through old issues of National Geographic. I diverged from my comfort and familiarity in urban cities and ventured to a more remote land that breathes magic and wonderment through the untouched beauty of nature—my most adventurous escapade yet.
Admittedly, I have always been a city person. My upbringing is deeply rooted in Brooklyn and I am studying at Columbia University, which is adjacent to Harlem. I grew up living most of my life in New York City. But, spending more and more time with my Spectre, I was struck with a delightful spark of new inspiration, which led me to reinvent my creative catharsis.
My creative work encompasses city life—from the forgotten ruins and remnants of old cities around the world contrasting with the architecture of the 21st century to food and still life moments present in urban settings. However, because the Spectre is extremely feather-light, versatile, and powerful with a long-lasting battery, it provided me with confidence to venture with it outside of Reykjavík, the capital and largest city in Iceland.
I felt that I was not bound to the city. My creativity deepened as I lost myself in more landscapes—mountains, glaciers, and waterfalls, to places that I have never been to before. I even had the pleasure of seeing Aurora Borealis dance in person, the stunning Northern Lights. The Spectre allowed me to edit in the mountains and visualise my work on site, breathing in the crisp air, overlooking the water.
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